Timeline
Select names in the timeline and you can easily compare national and Oregon trends in thinking
about the American landscape and its uses.
Last modified in May, 2024 by Rick Thomas
Aldo Leopold
We are indebted to Leopold for our sense of the idea of an ecosystem. The descriptions in his book A Sand County Almanac - like that of the demise of native wolves from a New Mexico mountain extracted below - are at first literal, but they ultimately help establish metaphorical meaning in the reader's mind.
We were eating lunch on a high rimrock, at the foot of which a turbulent river elbowed its way. We saw what we thought was a doe fording the torrent, her breast awash in white water. When she climbed the bank toward us and shook out her tail, we realized our error: it was a wolf. A half-dozen others, evidently grown pups, sprang from the willows and all joined in a welcoming melee of wagging tails and playful maulings. What was literally a pile of wolves writhed and tumbled in the center of an open flat at the foot of our rimrock.
In those days we had never heard of passing up a chance to kill a wolf. In a second we were pumping lead into the pack, but with more excitement than accuracy; how to aim a steep downhill shot is always confusing. When our rifles were empty, the old wolf was down, and a pup was dragging a leg into impassable side-rocks.
We reached the old wolf in time to watch a fierce green fire dying in her eyes. I realized then, and have known ever since, that there was something new to me in those eyes--something known only to her and to the mountain. I was young then, and full of trigger-itch; I thought that because fewer wolves meant more deer, that no wolves would mean hunters' paradise. But after seeing the green fire die, I sensed that neither the wolf nor the mountain agreed with such a view.
...
Since then I have lived to see state after state extirpate its wolves. I have watched the face of many a newly wolfless mountain, and seen the south-facing slopes wrinkle with a maze of new deer trails. I have seen every edible bush and seedling browsed, first to anaemic desuetude, and then to death. I have seen every edible tree defoliated to the height of a saddlehorn. Such a mountain looks as if someone had given God a new pruning shears, and forbidden Him all other exercise. In the end the starved bones of the hoped-for deer herd, dead of its own too-much, bleach with the bones of the dead sage, or molder under the high-lined junipers.
Aldo Leopold, A Sand County Almanac, and Sketches Here and There, 1948, New York: Oxford University Press, 1987.
Sioux
This Sioux Poem speaks to a religious connection with nature vastly different than that experienced by early European Americans.
Remember, remember the circle of the sky
the stars and the brown eagle
the supernatural winds breathing night and day
from the four directions
Remember, remember the great life of the sun
breathing on the earth
it lies upon the earth
to bring out life upon the earth
life covering the earth
Remember, remember the sacredness of things
running streams and dwellings
the young within the nest
a hearth for sacred fire
the holy flame of fire
Sioux poem, "Invoking the Powers," in Hettie Jones, ed., The Trees Stand Shining, New York: Dial Press, 1971.
Thomas Jefferson
Jefferson was many things - among them naturalist, mathematician, and engineer. In this description of Virginia's natural bridge he goes beyond a physical description, though, and gives us an emotional sense of his experience with the bridge and a working sense of the sublime in nature as experienced by early Americans.
The Natural Bridge, the most sublime of natures works, though not comprehended under the present head, must not be pretermitted. It is on the ascent of a hill, which seems to have been cloven through its length by some great convulsion. The fissure, just at the bridge, is, by some measurements, two hundred and seventy fret deep, by others only two hundred and five. It is about forty-five feet wide at the bottom and ninety feet at the top; this of course determines the length of the bridge, and its height from the water. Its breadth in the middle is about sixty feet, but, more at the ends, and the thickness of the mass, at the summit of the arch, about forty feet. A part of this thickness is constituted by a coat of earth, which gives growth to many large trees, The residue, with the hill on both sides, is one solid rock of lime-stone. The arch approaches the semi-elliptical form; but the larger axis of the ellipsis, which would be the cord of the arch, is many times longer than the transverse. Though the sides of this bridge are provided in some parts with a parapet of fixed rocks, yet few men have resolution to walk to them, and look over into the abyss. You involuntarily fall on your hands and feet, creep to the parapet, and peep over it. Looking down from this height about a minute, gave me a violent head-ache. If the view from the top be painful and intolerable, that from below is delightful in an equal extreme. It is impossible for the emotions arising from the sublime to be felt beyond what they are here; so beautiful an arch, so elevated, so light, and springing as it were up to heaven the rapture of the spectator is really indescribable.
Thomas Jefferson, Notes on the State of Virginia, New York: Harper & Row, 1964.
Thomas Cole
Cole was a leading figure in the Hudson River school of landscape painting. A constant theme in his work, as in this painting, is the sharp contrast between wilderness and advancing "civilization."
Thomas Cole: View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm--The Oxbow (08.228)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000.
Thomas Moran
The paintings of Thomas Moran along with the photographs of William Henry Jackson were a major contributing factor in encouraging Congress to establish Yellowstone National Park in 1872.
Thomas Moran, " The Grand Canyon of the Yellowstone," 1872, Department of the Interior Museum
Henry David Thoreau
The Maine Woods was a departure for Thoreau; a departure into actual wilderness. No pretense of independence on Walden Pond. No cushion of civilization to fall back onto. Mount Ktaadn offered the genuine article and Thoreau's narrative adds a dimension to his understanding of the sublime in nature absent in his other works. Along with awe and wonder, he experienced fear. A sudden change in the weather, a slip on loose rocks - he experienced actual dangers in an "unfinished" world.
In the morning, after whetting our appetite on some raw pork, a wafer of hard bread, and a dipper of condensed cloud or waterspout, we all together began to make our way up the falls, which I have described; this time choosing the right hand, or highest peak, which was not the one I had approached before. But soon my companions were lost to my sight behind the mountain ridge in my rear, which still seemed ever retreating before me, and I climbed alone over huge rocks, loosely poised, a mile or more, still edging toward the clouds; for though the day was clear elsewhere, the summit was concealed by mist. The mountain seemed a vast aggregation of loose rocks, as if some time it had rained rocks, and they lay as they fell on the mountain sides, nowhere fairly at rest, but leaning on each other, all rocking-stones, with cavities between, but scarcely any soil or smoother shelf. They were the raw materials of a planet dropped from an unseen quarry, which the vast chemistry of nature would anon work up, or work down, into the smiling and verdant plains and valleys of earth. This was an undone extremity of the globe; as in lignite, we see coal in the process of formation.
At length I entered within the skirts of the cloud which seemed forever drifting over the summit, and yet would never be gone, but was generated out of that pure air as fast as it flowed away; and when, a quarter of a mile farther, I reached the summit of the ridge, which those who have seen in clearer weather say is about five miles long, and contains a thousand acres of table-land, I was deep within the hostile ranks of clouds, and all objects were obscured by them. Now the wind would blow me out a yard of clear sunlight, wherein I stood; then a gray, dawning light was all it could accomplish, the cloud-line ever rising and falling with the wind's intensity. Sometimes it seemed as if the summit would be cleared in a few moments, and smile in sunshine: but what was gained on one side was lost on another. It was like sitting in a chimney and waiting for the smoke to blow away. It was, in fact, a cloud-factory,--these were the cloud-works, and the wind turned them off done from the cool, bare rocks. Occasionally, when the windy columns broke in to me, I caught sight of a dark, damp crag to the right or left; the mist driving ceaselessly between it and me. It reminded me of the creations of the old epic and dramatic poets, of Atlas, Vulcan, the Cyclops, and Prometheus. Such was Caucasus and the rock where Prometheus was bound. Æschylus had no doubt visited such scenery as this. It was vast, Titanic, and such as man never inhabits. Some part of the beholder, even some vital part, seems to escape through the loose grating of his ribs as he ascends. He is more lone than you can imagine. There is less of substantial thought and fair understanding in him, than in the plains where men inhabit. His reason is dispersed and shadowy, more thin and subtile, like the air. Vast, Titanic, inhuman Nature has got him at disadvantage, caught him alone, and pilfers him of some of his div1ine faculty. She does not smile on him as in the plains. She seems to say sternly, why came ye here before your time? This ground is not prepared for you. Is it not enough that I smile in the valleys? I have never made this soil for thy feet, this air for thy breathing, these rocks for thy neighbors. I cannot pity nor fondle thee here, but forever relentlessly drive thee hence to where I am kind. Why seek me where I have not called thee, and then complain because you find me but a stepmother? Shouldst thou freeze or starve, or shudder thy life away, here is no shrine, nor altar, nor any access to my ear.
"Chaos and ancient Night, I come no spy
With purpose to explore or to disturb
The secrets of your realm, but . . .
. . . . . . . as my way
Lies through your spacious empire up to light."
The tops of mountains are among the unfinished parts of the globe, whither it is a slight insult to the gods to climb and pry into their secrets, and try their effect on our humanity. Only daring and insolent men, perchance, go there. Simple races, as savages, do not climb mountains,--their tops are sacred and mysterious tracts never visited by them. Pomola is always angry with those who climb to the summit of Ktaadn.
According to Jackson, who, in his capacity of geological surveyor of the State, has accurately measured it,--the altitude of Ktaadn is 5,300 feet, or a little more than one mile above the level of the sea,--and he adds, "It is then evidently the highest point in the State of Maine, and is the most abrupt granite mountain in New England." The peculiarities of that spacious table-land on which I was standing, as well as the remarkable semi-circular precipice or basin on the eastern side, were all concealed by the mist. I had brought my whole pack to the top, not knowing but I should have to make my descent to the river, and possibly to the settled portion of the State alone, and by some other route, and wishing to have a complete outfit with me. But at length, fearing that my companions would be anxious to reach the river before night, and knowing that the clouds might rest on the mountain for days, I was compelled to descend. Occasionally, as I came down, the wind would blow me a vista open, through which I could see the country eastward, boundless forests, and lakes, and streams, gleaming in the sun, some of them emptying into the East Branch. There were also new mountains in sight in that direction. Now and then some small bird of the sparrow family would flit away before me, unable to command its course, like a fragment of the gray rock blown off by the wind.
Henry David Thoreau, "The Maine Woods", 1864, in The Thoreau Reader.
Andrew Melrose
Melrose's painting was done six years after the Leutze painting that bears a similar title. Both deal with what the artists saw as inevitable in American history - in strikingly different terms, though.
Andrew Melrose, "Westward the Star of Empire Takes its Way - near Council Bluffs, Iowa, 1867," from the Personal Collection of E. William Judson
Emanuel Leutze
Westward the Course of Empire Takes was commissioned by Congress for the capital building in Washington D.C. in 1861. Leutze's work is an artistic expression of the idea of manifest destiny - the God given right of Americans to conquer the continent from Atlantic to Pacific.
Emanuel Leutze. Westward the Course of Empire Takes, 1861, by permission of the Architect of the Capitol
Frederick Law Olmstead
Olmstead was the designer of New York City's Central Park and the leading member of the commission appointed to oversee the new Yosemite National Park in 1865. The following is taken from the Yosemite Commission's 1865 report to Congress describing Yosemite and making recommendations regarding its care and access to the valley.
Men who are rich enough and who are sufficiently free from anxiety with regard to their wealth can and do provide places of this needed recreation for themselves. They have done so from the earliest periods known in the history of the world, for the great men of the Babylonians, the Persians and the Hebrews, had their rural retreats, as large and as luxurious as those of the aristocracy of Europe at present. There are in the islands of Great Britain and Ireland more than one thousand private parks and notable grounds devoted to luxury and recreation. The value of these grounds amounts to many millions of dollars and the cost of their annual maintenance is greater than that of the national schools; their only advantage to the commonwealth is obtained through the recreation they afford their owners (except as these extend hospitality to others) and these owners with their families number less than one in six thousand of the whole population. The enjoyment of the choicest natural scenes in the country and the means of recreation connected with them is thus a monopoly, in a very peculiar manner, of a very few, very rich people. The great mass of society, including those to whom it would be of the greatest benefit, is excluded from it. In the nature of the case private parks can never be used by the mass of the people in any country nor by any considerable number even of the rich, except by the favor of a few, and in dependence on them.
Thus without means are taken by government to with; hold them from the grasp of individuals, all places favorable in scenery to the recreation of the mind and body will be closed against the great body of the people. For the same reason that the water of rivers should be guarded against private appropriation and the use of it for the purpose of navigation and otherwise protected against obstruction, portions of natural scenery may therefore properly be guarded and cared for by government. To simply reserve them from monopoly by individuals, however, it will be obvious, is not all that is necessary. It is necessary that they should be laid open to the use o the body of the people.
The establishment by government of great public grounds for the free enjoyment of the people under certain circumstances, is thus justified and enforced as a political duty.
Frederick Law Olmstead, "Yosemite Valley and the Mariposa Big Trees," in Landscape Architechture, (October, 1952), pp 12-25.
Winslow Homer
Homer is best known for New England seascapes. The Adirondacks were, however, a favorite vacation spot as this watercolor suggests. Unlike the human subjects of his Hudson River predecessors, Homer's guide is not apart from the wilderness - rather almost seems to melt into it.
Winslow Homer , "The Adirondacks' Guide," 1894, The Museum of Fine Art, Boston. Bequest of Mrs. Alma H. Wadleigh
John Muir
John Muir is considered by many to be the most important figure in the history of the environmental movement in the United States. He first explored the Sierra Nevada Mountains of California and Yosemite in 1869. He was thirty years old at the time and had been a student of botany and geology at the University of Wisconsin. He began his way west in 1867 with a solo hike through the southern United States to the Gulf of Mexico, by boat to Cuba and Panama, across the isthmus to the Pacific, and then north by steamer to California. The excerpts that follow are based on the journal Muir kept in the summer of 1869, his first full summer in the Sierra.
Watching the daybreak and sunrise. The rose and purple sky changing softly to daffodil yellow and white, sunbeams pouring through the passes between the peaks and over the Yosemite domes, making their edges burn; the silver firs in the middle ground catching the glow on their spiry tops; and our camp grove fills and thrills with the glorious light. Everything awakening alert and joyful; the birds begin to stir and innumerable insect people. Deer quietly withdraw into leafy hiding places in the chaparral; the dew vanishes, flowers spread their petals, every pulse beats high, every life cell rejoices, the very rocks seem to thrill with life. The whole landscape glows like a human face in a glory of enthusiasm, and the blue sky; pale around the horizon, bends peacefully down over all like one vast flower.
About noon, as usual, big bossy cumuli began to grow above the forest, and the rainstorm pouring from them is the most imposing I have yet seen. The silvery zigzag lightning lances are longer than usual, and the thunder gloriously impressive, keen, crashing, intensely concentrated, speaking with such tremendous energy it would seem that an entire mountain is being shattered at every stroke, but probably only a few trees are being shattered, many of which I have seen on my walks hereabouts strewing the ground. At last the clear ringing strokes are succeeded by deep low tones that grow gradually fainter as they roll afar, into the recesses of the echoing mountains, where they seem to be welcomed home. Then another and another peal, or rather crashing, splintering stroke, follows in quick succession, perchance splitting some giant pine or fir from top to bottom into long rails and slivers, and scattering them to all points of the compass. Now comes the rain, with corresponding extravagant grandeur, covering the ground high and low with a sheet of flowing water, a transparent film fitted like a skin upon the rugged anatomy of the landscape, making the rocks glitter and glow, gathering in the ravines, flooding the streams, and making them shout and boom in reply to the thunder.
How interesting to trace the history of a single rain drop! It is not long, geologically speaking, as we have seen, since the first raindrops fell on the newborn leafless Sierra landscapes. How different the lot of these falling now! Happy the showers that fall on so fair a wilderness, scarce a single drop can fail to find a beautiful spot, on the tops of the peaks, on the shining glacier pavements; on the great smooth domes, on forests and gardens and brushy moraines, plashing, glinting, pattering, laying. Some go to the high snowy fountains to swell their ~Vell-saved stores; some into the lakes, washing the mountain windows, patting their smooth glassy levels, making dimples and bubbles and spray; some into the waterfalls and cascades, as if eager to join in their dance and song and beat their foam yet finer; good luck and good work for the happy mountain raindrops, each one of them a high waterfall in itself, descending from the cliffs and hollows of the clouds to the cliffs and hollows of the rocks, out of the sky-thunder into the thunder of the falling rivers. Some, falling on meadows and bogs, creep silently out of sight to the grass roots, hiding softly as in a nest, slipping, oozing hither, thither, seeking and finding their appointed work. Some, descending through the spires of the woods, sift spray through the shining needles, whispering peace and good cheer to each one of them. Some drops with happy aim glint on the sides of crystals, quartz, hornblende, garnet, zircon, tourmaline, feldspar, patter on grains of gold and heavy way-worn nuggets; some, with blunt plap-plap and low bass drumming, fall on the broad leaves of veratrum, saxifrage, cypripedium. Some happy drops fall straight into the cups of flowers, kissing the lips of lilies. How far they have to go, how many cups to fill, great and small, cells too small to be seen, cups holding half a drop as well as lake basins between the hills, each replenished with equal care, every drop in all the blessed throng a silvery newborn star with lake and rivet, garden and grove, valley and mountain, all that the landscape holds reflected in its crystal depths, Gods messenger, angel of love sent on its way with majesty and pomp and display of power that make mans greatest shows ridiculous.
Now the storm is over, the sky is clear, the last rolling thunder-wave is spent on the peaks, and where are the raindrops now what has become of all the shining throng? In winged vapor rising some are already hastening back to the sky, some have gone into the plants, creeping through invisible doors into the round rooms of cells, some are locked in crystals of ice, some in rock crystals, some in porous moraines to keep their small springs flowing, some have gone journeying on in the rivers to join the larger raindrop of the ocean. From form to form, beauty to beauty, ever changing, never resting, all are speeding on with loves enthusiasm, singing with the stars the eternal song of creation.
John Muir, My First Summer in the Sierra, Boston: Houghton Mifflin Company, 1911.
Gifford Pinchot
Pinchot became the country's first Chief of the new United States Forest Service when he was appointed by President Roosevelt in 1905, a position he occupied during part of the Taft administration as well.
The forest is as beautiful as it is useful. The old fairy tales which spoke of it as a terrible place are wrong. No one can really know the forest without feeling the gentle influence of one of the kindliest and strongest parts of nature. From every point of view it is one of the most helpful friends of man. Perhaps no other natural agent has done so much for the human race and has been so recklessly used and so little understood.
The object of forestry is to discover and apply the principles according to which forests are best managed...The forest is the most highly organized portion of the vegetable world. It takes its importance less from the individual trees which help to form it than from the qualities which belong to it as a whole. Although it is composed of trees, the forest is far more than a collection of trees standing in one place. It has a population of animals and plants peculiar to itself, a soil largely of its own making, and a climate different in many ways from that of the open country. Its influence upon the streams alone makes farming possible in many regions, and everywhere it tends to prevent floods and drought. It supplies fuel, one of the first necessaries of life, and lumber, the raw material, without which cities, railroads, and all the great achievements of material progress would have been either long delayed or wholly impossible.
Gifford Pinchot, A Primer of Forestry, Bulletin 24, Bureau of Forestry, U. S. Department of Agriculture, 1903 from Google Books.
Teddy Roosevelt
Roosevelt was the first American president to take an active role in preserving parts of the country's natural heritage. His rationale for conservation of public lands is rooted in both his own experiences in the West and a desire that those experiences be made available to all Americans as well as a recognition that the natural resources in the government's charge were finite.
While it is necessary to give this word of warning to those who, in praising time past, always forget the opportunities of the present, it is a thousandfold more necessary to remember that these opportunities are, nevertheless, vanishing; and if we are a sensible people, we will make it our business to see that the process of extinction is arrested. At the present moment the great herds of caribou are being butchered, as in the past the great herds of bison and wapiti have been butchered. Every believer in manliness and therefore in manly sport, and every lover of nature, every man who appreciates the majesty and beauty of the wilderness and of wild life, should strike hand with the far-sighted men who wish to preserve our natural{ resources, in the effort to keep our forests and our game beasts, game-birds, and game-fishindeed, all the living creatures of prairie and woodland and seashore from wanton destruction.
Above all, we should realize that the effort toward this end essentially a democratic movement. It is entirely in our power as a nation to preserve large tracts of wilderness, which are valueless for agricultural purposes and unfit for settlement, as playgrounds for rich and poor alike, and to preserve the game so that it shall c continue to exist for the benefit of all lovers of nature, and to give reasonable opportunities for the exercise of the skill of the hunter, whether he is or is not a man of means. But this end can only be achieved by wise laws and by a resolute enforcement of the laws. Lack of such legislation and administration will result in harm to all of us, but most of all in harm to the nature-lover who does not possess vast wealth...
The practical common sense of the American people has been in no way made more evident during the last few years than by the creation and use of a series of large land reserves - situated for the most part on the great plains and among the mountains of the West = intended to keep the forests from destruction, and therefore to conserve the water supply. These reserves are, and should be, created primarily for economic purposes. The semiarid regions can only support a reasonable population under conditions of the strictest economy and wisdom in the use of the water-supply, and in addition to their other economic uses the forests are indispensably necessary for the preservation of the water-supply and for rendering possible its useful distribution throughout the proper seasons. In addition, however, to this economic use of the wilderness, selected portions of it have been kept here and there in a state of nature, not merely for the sake of preserving the forests and the water, but for the sake of preserving all its beauties and wonders unspoiled by greedy and short-sighted vandalism. What has been actually accomplished in the Yellowstone Park affords the best possible object-lesson as to the desirability and practicability of establishing such wilderness reserves. This reserve is a natural breeding-ground and nursery for those stately and beautiful haunters of the wilds which have now vanished from so many of the great forests, the vast lonely plains, and the high mountain ranges, where they once abounded.
Theodore Roosevelt, "Wilderness Preserves" in The Works of Theodore Roosevelt, New York: Charles Scribner's Sons, 1926.
Rachel Carson
Carson's Silent Spring, first appeared in serialized form in the The New Yorker in 1962. Through a series of case studies she traces in minute detail the path of environmental poisons through various ecosystems from human contamination to human consumption. Her analysis of DDD applications around Clear Lake in northern California and its after life is excerpted below. Her gift was the capacity to paint the operation of an ecosystem in minute scientific detail as opposed to the broader, often metaphorical strokes that Leopold and others had applied before.
Water, of course, supports long chains of life - from the small-as-dust green cells of the drifting plant plankton, through the minute water fleas to the fish that strain plankton from the water and are in turn eaten by other fish or by birds, mink, raccoons in an endless cyclic transfer of materials from life to life. We know that the necessary minerals in the water are so passed from link to link of the food chains. Can we suppose that poisons we introduce into water will not also enter into these cycles of nature? The answer is to be found in the recent history of Clear Lake, California. Clear Lake lies in mountainous country some ninety miles north of San Francisco and has long been popular with anglers. The name is plainly inappropriate; actually the lake is rather turbid, because its bottom, which is shallow, is covered with soft black ooze. Unfortunately for the fishermen and the resort dwellers on its shores, its waters have long provided an ideal habitat for a small gnat, Chaoborus astictopus. Although the gnat is closely related to mosquitoes, it is not a bloodsucker; indeed it probably does not feed at all as an adult. However, the human beings who came to share its habitat found it annoying, because of its shear numbers. Efforts were made to control it, but they were largely fruitless until, in the late nineteen-forties, The chlorinated-hydrocarbon insecticides offered a new weapon. The chemical chosen for a fresh attack was DDD, an insecticide that apparently offered fewer threats to fish life than DDT. The new control measures, undertaken in September of 1949, were carefully planned, and few people could have supposed that any harm could result....
...extraordinary discoveries were made later. No trace of DDD could be found in the water shortly after the last application of the chemical. But the poison had not really left the lake; it had merely gone into the fabric of the life the lake supports. Twenty-three months after the chemical treatment had ceased, the plankton still contained as much as 5.3 parts per million. In that interval of nearly two years, successive crops of plankton had flowered and faded away, but the poison, although no longer present in the water, had somehow passed from generation to generation. And it lived on in the animal life of the lake as well. All fish, birds, and frogs examined a year after the chemical applications had ceased still contained DDD. The amount found in the flesh always exceeded by many times the original concentration in the water. Among these living, carriers were fish that had hatched nine months after the last DDD application, grebes, and California gulls that had built up concentrations of more than 2000 parts per million. The grebes still carried heavy residues, and meanwhile, their nesting colonies had dwindled from more than a thousand pairs before the first insecticide treatment to about thirty pairs in 1960. Even the thirty seem to have nested in vain, for no young grebes have been observed on the lake since the last DDD application. And what of the human being who has rigged his fishing tackle, caught a string of fish from the waters of Clear Lake, and taken them home to fry for his supper? What could a heavy dose of DDD - and perhaps repeated doses - do to him?
Rachel Carson, "Silent Spring - I", The New Yorker, June 16, 1962, pp 72-78.
Ansel Adams
Adams describes in his autobiography his first experience with Yosemite at the age of fourteen. "One wonder after another descended upon us; I recall not only the colossal, but the little things: the grasses and ferns, cool atriums of the forest.1" So in his photography he brought us not only the wonders of the colossal, continuing a tradition in landscape photography going back to its inception, but gave us dogwood blossoms, shadow and light on the bark of incense cedar, grasses heavy under the weight of summer rain - the wonders, too, in the "little things."
1Ansel Adams, An Autobiography, Boston: Little Brown and Company, 1985." Courtesy of The Ansel Adams Publishing Rights Trust
"Tenaya Creek, Dogwood Rain," 1948, Photograph by Ansel Adams, © 2011 The Ansel Adams Publishing Rights Trust
Wallace Stegner
Stegner wrote the letter exerpted here at the height of the battle for the Wilderness Act - finally passed into law in 1964. It was widely published and distributed by proponents of the bill ranging from Stuart Udall, then Secretary of the Interior to the Sierra Club and national newspapers. His argument for preserving a "geography of hope" became a centerpiece in the argument for wilderness preservation.
I want to speak for the wilderness idea as something that has helped form our character and that has certainly shaped our history as a people. It has no more to do with recreation than churches have to do with recreation, or than the strenuousness and optimism and expansiveness of what the historians call the "American Dream" have to do with recreation. Nevertheless, since it is only in this recreation survey that the values of wilderness are being compiled, I hope you will permit me to insert this idea between the leaves, as it were, of the recreation report.
Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed; if we permit the last virgin forests to be turned into comic books and plastic cigarette cases; if we drive the few remaining members of the wild species into zoos or to extinction; if we pollute the last clear air and dirty the last clean streams and push our paved roads through the last of the silence, so that never again will Americans be free in their own country from the noise, the exhausts, the stinks of human and automotive waste. And so that never again can we have the chance to see ourselves single, separate, vertical and individual in the world, part of the environment of trees and rocks and soil, brother to the other animals, part of the natural world and competent to belong in it. Without any remaining wilderness we are committed wholly, without chance for even momentary reflection and rest, to a headlong drive into our technological termite-life, the Brave New World of a completely man-controlled environment. We need wilderness preserved--as much of it as is still left, and as many kinds--because it was the challenge against which our character as a people was formed. The reminder and the reassurance that it is still there is good for our spiritual health even if we never once in ten years set foot in it. It is good for us when we are young, because of the incomparable sanity it can bring briefly, as vacation and rest, into our insane lives. It is important to us when we are old simply because it is there--important, that is, simply as an idea...
Let me say something on the subject of the kinds of wilderness worth preserving. Most of those areas contemplated are in the national forests and in high mountain country. For all the usual recreational purposes, the alpine and the forest wildernesses are obviously the most important, both as genetic banks and as beauty spots. But for the spiritual renewal, the recognition of identity, the birth of awe, other kinds will serve every bit as well. Perhaps, because they are less friendly to life, more abstractly nonhuman, they will serve even better. On our Saskatchewan prairie, the nearest neighbor was four miles away, and at night we saw only two lights on all the dark rounding earth. The earth was full of animals--field mice, ground squirrels, weasels, ferrets, badgers, coyotes, burrowing owls, snakes. I knew them as my little brothers, as fellow creatures, and I have never been able to look upon animals in any other way since. The sky in that country came clear down to the ground on every side, and it was full of great weathers, and clouds, and winds, and hawks. I hope I learned something from looking a long way, from looking up, from being much alone. A prairie like that, one big enough to carry the eye clear to the sinking, rounding horizon, can be as lonely and grand and simple in its forms as the sea. It is as good a place as any for the wilderness experience to happen; the vanishing prairie is as worth preserving for the wilderness idea as the alpine forest.
So are great reaches of our western deserts, scarred somewhat by prospectors but otherwise open, beautiful, waiting, close to whatever God you want to see in them. Just as a sample, let me suggest the Robbers' Roost country in Wayne County, Utah, near the Capitol Reef National Monument. In that desert climate the dozer and jeep tracks will not soon melt back into the earth, but the country has a way of making the scars insignificant. It is a lovely and terrible wilderness, such as wilderness as Christ and the prophets went out into; harshly and beautifully colored, broken and worn until its bones are exposed, its great sky without a smudge of taint from Technocracy, and in hidden corners and pockets under its cliffs the sudden poetry of springs. Save a piece of country like that intact, and it does not matter in the slightest that only a few people every year will go into it. That is precisely its value. Roads would be a desecration, crowds would ruin it. But those who haven't the strength or youth to go into it and live can simply sit and look. They can look two hundred miles, clear into Colorado: and looking down over the cliffs and canyons of the San Rafael Swell and the Robbers' Roost they can also look as deeply into themselves as anywhere I know. And if they can't even get to the places on the Aquarius Plateau where the present roads will carry them, they can simply contemplate the idea, take pleasure in the fact that such a timeless and uncontrolled part of earth is still there.
These are some of the things wilderness can do for us. That is the reason we need to put into effect, for its preservation, some other principle that the principles of exploitation or "usefulness" or even recreation. We simply need that wild country available to us, even if we never do more than drive to its edge and look in. For it can be a means of reassuring ourselves of our sanity as creatures, a part of the geography of hope.
from Wallace Stegner, "Wilderness Letter," 1960 as found at The Wilderness Society.
Wendell Berry
Berry's special place on earth is at once a place in the ecology of the natural world and a place in the ecology of the collective human heart and spirit - not that such a distinction exists in Berry's mind. Aldo Leopold gave us a scientific sense of an ecological system. Berry's work , especially his fiction and poetry, spins the web of human existence in all of its manifestations within nature's broader web. He gives us an ecological perspective of what it means to be human. His characters experience a balance within their human communities that is encompassed within their broader living communities - where to "come into the peace of wild things" is a natural and palliative experience.
When despair grows in me
and I wake in the middle of the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting for their light. For a time
I rest in the grace of the world, and am free.
Wendell Berry, "The Peace of the Wild Things," in New Collected Poems, Counterpoint, Berkeley, California, 2012